Introduction/Home Page by Ira Jacknis
Introduction to Tzintzuntzan by the Anthropologist George Foster/ Map of Tzintzuntzan/ The First Fieldwork: 1944–46
Mariano Cornelio, a Tarascan fisherman/farmer, in his boat
Vicente Rendon and his compadre Salvador Villagomes harvesting maize
Vicente Rendón on the way to market with pottery
Family at the grave on All Saints’ Day
Jesús Peña making candles
Tarascan masked dancers, "owner" and "watcher", at the Octava of Corpus Christi
Highway victim
Changes in Tzintzuntzan: 1945–79 and 1979-88
View towards the northwest side of Lake Pátzcuaro
Yácatas, reconstructed ruins on the east edge of the village
Doña Micaela González, in her small patio
Melecio Hernández, husband of Micaela González, making an ox yoke
Micaela González’s house; in front are her daughter Virginia Pichu, and William Iler, a UC Berkeley graduate student
The new second floor on Micaela González’s house; Mary Foster on the balcony
Dolores (Lola) Pichu and her younger sister Virginia Pichu, daughters of Micaela González and her first husband, Pedro Pichu
Pachita Villagómez and her husband Faustino Peña
Doña Andrea Medina, her daughter-in-law Pachita Villagómez, and her granddaughter Lucía
Lupe Calderon and Eustolio Campos coming out of the parish church after their wedding
Florentina Dominga, a Tarascan woman, with a midwife’s offering
La Soledad chapel
The arrival of fireworks (La Obra) at La Parroquia, the Parish church
Death dancer, Salvador Maturino
Red devil dancer
Female attendants of the king and queen figures, Rosa Lara
Group of spies entering the house of Ambrosio Zaldívar, to pay homage to the district saint (barrio santo) and to be fed; Holy Wednesday
A spy; Holy Wednesday
A penitente, with his assistant (cirineo); Good Friday
Fish dancer and net in the procession of trades; Corpus Christi
Little Old Man Dance (Los Viejitos)
House façade decorated for a posada procession; before breaking the piñatas; Christmas season
Tarascan women making tortillas by hand, cooked on a wood fire
Lola Pichu making tortillas in a press, inside her present old-style kitchen
Amalia Felices making pots, by joining two mold-made halves and smoothing the inside
Doña Andrea Medina at the kiln in her yard
Otilia Zavala, wife of Wenceslado Peña, glazing pottery
Pachita Villagómez painting a fish design on a large platter, before glazing
Salvador Cuirís and his pottery delivery truck
Pottery sellers in the church atrium; Fiesta of Nuestro Señor del Rescate
The store, "La Central," and the plaza on the main highway, looking south
Lola Pichu inside her family’s store; Christmas
Changes in Tzintzuntzan: 1988–2000
George Foster Biography


The arrival of fireworks (La Obra) at La Parroquia, the Parish church; February 14, 1977.

The festival of 1945: The powder for rockets has been purchased by the families of Ojo de Agua[an adjacent Tarascan community], and after this early breakfast it is carried to the town hall [more recently, to the church], each band with its followers making many detours through the streets. Here the powder, in the presence of all, is divided, and half sent with one band to the priest, for Church uses, and half remaining in the town hall, for civil use. During the day it will be made into the rockets which are indispensable in any fiesta.

The fireworks maker, a Tarascan from San Jerónimo Purenchécuaro, engaged by the inhabitants of Ichupio for $350, has arrived with his assistants, and spends the day assembling the castillo ("castle"), a 14-m. pole with a bewildering array of pinwheels, firecrackers, and other pyrotechnic tricks. About 6 o'clock in the evening it is raised, with the aid of many spectators, in the center of the atrium, ready for the grand finale of the fiesta. Presently the church bells ring and the crowd assembles, and by 9 o'clock all is deemed ready. The fuse is lighted, flame shoots up to the wheels, igniting bombs on the way, and for perhaps 10 minutes there is a display to satisfy the most demanding critic. Shouts of delight mingle with screams of surprise and pain when powder shoots out and burns spectators standing too near (1948).

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