introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

The Americas
Africa
01. Shango dance wand

02. Divination bowl, woman with chicken

03. Divination tray

04. Stool

05. Royal foot cushion, beaded

06. Colonial figurine: polo player

07. Crest mask

08. Painted drum

09. Double-face helmet mask

10. Cosmetics container, tortoise shell and ostrich eggshell beads

11. Woman's shawl, embroidered silk (detail)

Asia
Oceania and Australia

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



Colonial figurine: polo player
Made by Thomas Ona Odulate, 1943.
Nigeria, Yoruba
Collected by William R. Bascom, 1940s.
Loan from the estate of Berta Bascom (B-7)

Although representations of foreigners in African art go back centuries, the so-called colonial figures, which depict Westerners and Africans in European dress, became popular only in the late 19th century. One of the originators of this genre among the Yoruba was Thomas Ona Odulate, who moved in the 1940s to the colonial capital of Lagos, where he found a ready market for his work. The carver told Bascom that these were not meant to be satirical, just depictions of the emblems of hierarchy and rank.