introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



Brocaded fabric panel
Iran
Collected by Phoebe A. Hearst, acc. 1909.
9-5746

Phoebe Hearst had a particular passion for textiles from all over the world. She frequently wore a Chinese dressing gown, and at a conference of the YWCA, held at her Pleasanton estate in 1911, she used her collection of costumes to teach about different cultures. This spectacular fabric, with silk and metal-wrapped threads, was included in an exhibition of highlights from her textile collection, presented at San Francisco's Palace of Fine Arts in 1917.

Skull bowl, cover, and stand
Tibet, 19th century (att.)
Collected by C. H. Clark, acc. 1909.
9-1756a-d

Objects made from human bones play an important role in the Tantric Buddhism of Tibet. They are obtained from the traditional mortuary practice of "sky burial," in which a corpse is left in a high, isolated place for disposal by vultures. Cemetery attendants preserved skulls and leg bones from selected bodies for use in rosaries, bowls, drums, and trumpets. Skull bowls have multiple functions—as a direct object of worship, as a ritualistic implement (an offering vessel, for prophecy, black magic, or exorcism), and as a metaphorical support for meditation.