introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



"The Evening Chant"
Oil painting by Joseph Henry Sharp (1859-1953), 1900
Collected by Phoebe A. Hearst, 1905
17-671

Phoebe Hearst was critical to the career of Joseph Henry Sharp, one of the foremost painters of the American Indian. Learning of his work at the Buffalo world's fair of 1901, Hearst bought—sight unseen—the entire contents of Sharp's studio, plus the paintings in the show. She donated these eighty canvases to the University museum and contracted with Sharp for additional paintings. In the end, she bought seventeen more of his pictures for the University, mostly of Crow and other Plains Indians. Sharp always regarded Mrs. Hearst with affection, as her largesse had allowed him to give up teaching and devote himself exclusively to painting, and she continued to acquire his works when he was in financial difficulties. "The Evening Chant" was the most ambitious of the Sharp paintings donated by Phoebe Hearst. Here the artist paints a romantic and nostalgic scene, with the twilight evoking the passing of the old ways at Taos Pueblo, New Mexico. The work was evidently a favorite of Mrs. Hearst, and it hung over her office desk in the Examiner Building in San Francisco.