introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



"Niman Kachina Dancers"
Oil painting by Carl Oscar Borg (1879-1947), 1917
Collected by Phoebe A. Hearst, 1918.
17-194

Carl Oscar Borg, painter of Southwestern Indians and landscapes, was one of the many artists whose careers were formed by the patronage of Phoebe Hearst. Upon meeting the Swedish-born painter in 1909, she purchased several of his paintings, and between 1910 and 1914, she funded his tour of the great cities, museums, and archaeological sites of Europe and North Africa. Over the next several years he spent extended periods living at her Pleasanton estate. Until her death, Borg maintained a close relationship with Phoebe Hearst, whom he called his "little mother." In the summer of 1916, Hearst joined the Smithsonian Institution in sending Borg to the Hopi and Navajo reservations. This painting was one of five of Borg's Southwestern scenes that she donated to the museum, where they hung over the display cases. The Niman kachina dance, held in late July, is the last of the kachina events of the Hopi ceremonial year. After this farewell ceremony the kachina spirits return to their homes, where they will remain for six months, ensuring rain for Hopi crops.