introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS




Wedge-weave blanket (detail)
American Southwest, Navajo; ca. 1890
Collected by Phoebe A. Hearst; donated by her estate, 1920.
2-10747

Coming from the region of Native America that most appealed to Phoebe Hearst, all the Southwestern objects displayed here are from her personal collection. She obtained all of them from the Fred Harvey Company, a hotel and restaurant chain along the railroads, which opened a department to sell Indian artifacts in 1902 in Albuquerque, N.M. Navajo blankets were just one of the many forms that the company commercialized. In wedge-weaving, weft threads are woven diagonally, resulting in scalloped edges and patterns of chevrons and zigzags. Flourishing only between 1875 and 1890, wedge-weaving is a comparatively rare form of Navajo textile, and only several hundred ever seem to have been made.