introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



Kachina doll, Butterfly Maiden (PALHIK MANA)
American Southwest, Arizona, Hopi
Collected by Phoebe A. Hearst, acc. 1913.
2-9919

For the Hopi, kachinas exist in three forms: spirits, masked dancers, and dolls. The spirits act as intermediaries between the supernatural and mortal worlds, fostering fertility, growth, and well-being. For six months of the year, when they reside in the Hopi villages, kachinas are represented by masked dancers. Doll versions, carved from cottonwood root, are given to women and especially girls as a blessing. They have no bases, but are meant to be hung on home walls, where girls can learn to differentiate the many kachinas. By the late 19th century, so many dolls were being collected by anthropologists and traders that the Hopi began making them specifically for sale. This figure represents a female dancer wearing a tableta or headdress, not an actual kachina spirit.