introduction
BEGINNINGS:
THE PHOEBE HEARST ERA (1902-1920)


THE PHOEBE HEARST COLLECTIONS
01. CEREMONIAL ADZ

02. POI BOWL, CARVED KO WOOD

03. FIGURE FOR MALAGAN CEREMONY

04. FABRIC PANEL AND SKULL BOWL

05. FIGURE OF A FARMER AND CHICKEN, IVORY

06. PRAYER STONE

07. PRAYER BEADS

08. SADDLE, PAINTED WOOD

09. KEY AND LOCK

10. PAINTING, RAWHIDE

11. KACHINA DOLL, BUTTERFLY MAIDEN (PALHIK MANA)

12. WEDGE-WEAVE BLANKET

13. SILVER JEWELERY

14. “EGYPT, ABU SIMBEL”

15. “NIMAN KACHINA DANCERS”

16. “THE EVENING CHANT”

GUATEMALA
NATIVE CALIFORNIA
ALASKAN ESKIMO
PHILIPPINES
ANCIENT NORTH AMERICA
ANCIENT PERU
ANCIENT egypt
ANCIENT MEDITERRANEAN

TRANSITION (1920-1945)

EXPANSION (1945-1960)

CULMINATION (1960-1980)

RECENT YEARS (1980-2001)

RECENT ACQUISITIONS



Painting, rawhide
American Plains, Oklahoma; Kiowa
Collected by Hugh L. Scott, 1876-98; purchased by Philip M. Jones, 1901.
2-4816

This battle scene comes from a collection of 124 pieces assembled by Hugh Scott, a captain of the U.S. Seventh Cavalry. Although he believed in modernization for the Indians, Scott felt that aspects of their traditional cultures should be preserved; he was one of the few soldiers fluent in Plains Sign Language. This watercolor and pencil painting, whose exact content remains obscure, was made for sale to outsiders. However, it was a continuation of Plains Indian narrative painting on rawhide.